2.01.2013

Typical Rimrock and Desert Scenery

artist book

Introducing my latest book project and most recent paper lava rock processing: Typical Rimrock and Desert Scenery.

This book came about because I was invited to participate in a show called Ideation by Chance, opening today at the Seager Gray Gallery's Book Room.

artist book
artist book

Parameters set forth for this exhibition are based on an ideation technique my former instructor Barb Tetenbaum developed - that of pulling a set of prompts from a hat, thus allowing the structure and content of the book to be dictated by chance.

My directives were:
Imagery: none
Structure: unbound
Text: self-generated
Layout: minimal
Color: primary
Technical: mixed media
Paper: pre-printed/recycled
Describe: abstract
Adjectives: obvious, mosaic, traditional, encyclopedic, whimsical

This is the third time I've used the same rock imagery; each time the plates are transformed or broken up in a further processing of the material. For this book, in answer to the prompt 'mosaic,' I cut up some of the polymer plates used to print Lava Field and printed them in simple mosaic patterns.

polymer plates

I found this funky graph paper culled from a machine shop several years ago which satisfied the pre-printed and recycled paper directive. For the text I pulled out my old trusty typewriter. I was thrilled to find the ribbon still had life in it, I don't think I've used it for 10 years!

typewriter artist book

The book is made up of 20 folios that simply lay loosely on top of one another. Each folio has a numbered piece of text, but readers may go through them in any order. The pages are housed in a hard-case cover with a simple slip case inside to contain them.

artist book letterpress
artist book

So there it is, Typical Rimrock and Desert Scenery. The title, by the way, comes from photo caption found in a book about the high desert of Central Oregon written by Raymond Hatton, a long-time professor at Central Oregon Community College. The words seemed so comically dismissive of a subject matter the author was so obviously enthusiastic about, I've adopted it and taken it on for several projects.

And now, I'm off into the typical moss and rainforest scenery.

7 comments:

Katie said...

What an interesting project. I want to read more and see more. Beautiful pictures too.

T@PoppyPlacePdx said...

Your work is so masterful :)

I LOVE that you shared this amazing process :)

I LOVE my journal :)

Have a lovely weekend, Cheers, T. :)

Clare said...

Thank you both, Katie and T! It's nice to be able to show it here, since I made it without getting any feedback along the way. Sometimes it's a funny feeling to make something in your studio and then send it off to it's new home without giving it a chance to breathe.

Mary said...

It is a beautiful work. Just seeing it I can feel the tactile sets of it.

Mary said...

Grr autocorrect

Tactileness - I know it's not a word but it fits for me

Jim Carmin said...

Clare,

This looks great. Please bring a copy for me to see so I can likely acquire it for the collection. Anytime after Sandy Tilcock's opening reception this weekend is good.

And a lovely process account too!

Jim

btetenbaum@yahoo.com said...

I adore this project and will talk a bit about it, unless you show up to speak for yourself, at the Em Space gig on Wednesday.
-b