4.26.2011

Rieke Art Fair & Fundraiser


I'll be there, kickin' it with the brand spanking new display stands The Monkey has been constructing for me, along with all of these other fine artisans:

Jill Bliss
Talia Brown
Clare Carpenter - Tiger Food Press
Anna Foulkes
Emily Highkin - Emily Sock Monkies
Elita Hill - Ginza Girl
JoAnn Lupton - Dolcetti
Destiny Morris - Destiny Ray Jewelry
Roberta Palmer
Siri Schillios - Siri Art
Alex Wijnen
Heather Wolf - Flat Glass Mama
Susan Rankin
Jill Mayberg
Kim & Brian Davies
Corby Barnes
Carolyn Holman
Mindy Baldwin - I Heart Shade
2 Monkees - Teri Sprouse
Lee White Illustration
Shannon Hardin - Auntie Tanker
Paula Short - PM Shore
Alisa Palister
Cathy McMurray
Michelle Gay - Eclectic Kid
Jody Howard - Elysium Jewelry
Suki Allen - Birds Eye View
Amy Honeyman - Otto Designs
Jackie Imdahl - Scrumptious Suds
Sandra Green & Tuesday Shellmire - S& T Designs
Karina Potestio - Luna
Lori Telles - The Frock Goddess

So please join us!

4.24.2011

a day in shades of green and grey


Eggs in jadeite.


My favorite kind of work. The kind that I'm doing right now.


Highly practical boots.


Discovering a new place to put in my little canoe. Oh the plans - a reward for a long day at the Rieke fair next Sunday.




Time for reflection. (ha! *groan!*)




Art for the birds and other wild things.

Speaking of wild things, I'm about to pop this audiobook on and bind the night away.

Cheers, everyone. I hope you all had delicious, delicate, sunny (at least in heart) Easters.


I bring in daffodils in a mason jar. Spring rain. The smell of earth, bread rising, coffee poured. Ink stains on my fingers.

Peace.

4.22.2011

on creativity and chasing the minutes of the day

Recently, I've been thinking about the way we present ourselves online. I love reading blogs and getting caught up in the nearly magical sleight of hand that happens. There is so much beautiful eye candy to behold, and I'm no less guilty of trying to present myself and my work as appealingly as possible.

I'd like to take a moment to talk honestly about what happens behind the scenes here at Tiger Food Press. Sit and have a cup of french press and a slab of rhubarb crunch.


I'm not complaining in the least bit when I tell you that I piece together about three or four jobs that comprise the bulk of *what I do for a living.* It's all creative, book and letterpress related work. Some of it happens in my home studio, some of it happens in the class rooms and studios of Oregon College of Art and Craft. I create work for my Etsy stores and craft sales, I print and bind commissioned work, I try to find time for fine art making, I teach, and I'm a studio manager. I tell you, I feel supremely lucky - seriously, seriously lucky to be able to do what I do for a living.

There are times, like right now, when I feel particularly pressed in one direction or another. In the next few days my focus is on finishing work for the Rieke Art Fair, on trying to get up to campus to put some hours in, and on researching grants for upcoming projects. In between I need to write estimates for clients, source paper, prepare for a demo I'm doing this weekend at another school, chair a board meeting for the arts organization I work with, and the list goes on.

I feel that what I do, how I cobble together bits of work that is meaningful to me, is a pretty common phenomenon. We are all scheduled to our teeth. So many of us are pulled in multiple directions, and many are in much more dire straights or enjoy far fewer hours in their studios than I do.

I feel so lucky to have the small hours in my studio, and I absolutely luxuriate in the days that I have an entire day to print or draw or bind. I will be the first to admit I'm not adept at figuring out the best use of my time when I'm faced with multiple, equally important jobs to do. It is a blessing and curse (to drop an overused phrase) to have as flexible a schedule as I do. It's been a long road of discovery - when are my most productive hours in my studio? When do they need me most on campus? When should I schedule meetings to maximize the time in the rest of my day? Many of these decisions are beyond my control. Deadlines, meetings, clients - they all come first. Everything else fits into slots.

And I guess that's partly where I'm going with this post. For a couple of years now, I've attempted to schedule myself to the last minute. I have a paper calendar and an iphone that have meticulous notes regarding what I should be doing, and when. I'd felt inspired and influenced by reading about the processes of artists I admired who talked of discipline and scheduling. The truth of the matter is, aside from client commissions the work that demands strict adherence to schedule, all those calendar notes were just falling by the wayside. *studio time 8 AM - 1 PM / Tuesday, April WHATEVER*

I'm going to share something that for some of you might come as a bit of no-brainer, but for me has been something of a revelation - or rather - a reintroduction to a way of making, and of living, that has eluded me for a while now; at least as of the past couple of years in which I've been so busy.

I've chucked my calendar.

At least, insofar as the calendar entries regarding when I should be creating. Of course there are still scheduled items that I need to work around. Some things just need to be done on a timeline. But creating? No. Not for me, it turns out.

I've been practicing a method of mindful attentiveness to ~ what do I actually want to be doing in this moment? ~ Often, it's creating. And often, contrary to what I had always feared, there is actually time. And so, I've found myself spending a few hours every day in my studio, whereas before, under the strict imposition of my calendar, which often told me I should be in my studio, I would often never make it so far.

As for whether this method will sustain itself, only time will tell. I imagine there will still be stacks of book blocks on my table still unbound, and photographs of cards yet unlisted, but all in good time. All in good time.

4.21.2011

a burst of woodland creatures







Inspired by my wanderings in and out of the Oregon wilderness and backcountries. Inspired by spring. Inspired by warm tones and the joy of carving lino and having some fun once in a while.

4.17.2011

so so so so tired





It's been such a WEEK! Between taxes and other weird snaffus involving finances, and did I mention taxes, and trying to crank out work for the Rieke Art Fair, and just strange things happening like people locking their keys in their cars (not me), running around town in the worst kinds of traffic, it feel like this week has been two years long.

I'm tired.

But printing has been my respite. I have new cards for the shop - but they won't be photographed until tuesday.

For tomorrow I have jury duty.
Keep your fingers crossed for me that I'm only stuck for a day!

4.12.2011




It's been a brilliant morning so far - the sun has just burst through the cloud layer here in Portland, and the dandelions are popping up like mad all over the yard. We've had some pretty heavy rains over the past few days, interspersed with bouts of cool spring sun. Despite the cold weather, the rhubarb is almost ready for pie.

I should be starting my vegetable garden, but I'm totally not ready.

Instead, I print. Green, spring fir. Bears. Paper. A celebration.




4.06.2011

honey and health food : part two

This is the second part of the short story I began to retell here, last summer. This is background for the Bend Project...there's so much I could write about my perception of that town.

Place, and perception of place plays a huge role in my work. I'm fascinated by places in flux and/or in stasis. I'm fascinated how place is defined - by its inhabitants and by its outsiders. This fascination (not necessarily the content of this story) is the basis of my upcoming work about Bend and Central Oregon.

note: I've removed names of places and people, simply because I don't feel they need to be implicated in my own rendering of the town.

*********


Eventually, my family moved to a different part of town, and life sped up. My mom joined the work force, and my brother and I were adolescents with no interest in the slow food philosophy that our small town health food store exemplified. Our family rarely ate together, and grocery shopping became dominated by foraging for frozen foods. By the time I was in high school I had all but forgotten my hippie roots and the days of the health food store; the sunlight coming through handmade curtains, the creak of old hardwood floors, and the smells of bread baking and sprouts sprouting and of yogurt being made.

me in 1996 outside the health food store

Bend, OR. 1996. Population: 55,000

I've just arrived in town in a VW beetle four years older than I am with two large tropical birds, a black cat, and a boyfriend. We've come from a tiny southern Oregon town where I'd been working what had meant to be a simple summer job, but had turned into a fiasco involving the DEA, the INS, and the Montana Militia, and which had lasted until December. Bend has become a mecca for a great number of people. Skiing, mountain biking, rock climbing, white-water rafting, you can do it all in Bend. You can’t, however, find a job. Especially if your last known work number has been disconnected.

After two months of pursuing the lowliest of jobs: dishwasher, janitor, golf-club assembler, and being turned down left and right, I suddenly remembered the health food store.

The quintessential mom and pop store had evolved with the town. Now simply called by the owner's last name, they catered to the new wealth that had been coming en masse to Bend since the late 1980’s. The little shop's specialty was now wine, a gourmet deli, and organically grown produce hand selected by the humble husband/owner. Gone were the dirt roads and in their place were busy thoroughfares complete with parallel parking and bike lanes. Gone were the juniper trees and volcanic ash of the hill behind the store, gone were the caves and forts and hiding places of children, and gone were the graves of many of their beloved pets. In their place were townhouses, condominiums, and multi-million dollar mansions. The merchandise area of the store had been replaced by a new, high tech produce case, and the ice-cream freezer no longer held yogurt push-ups but a cornucopia of gooey Ben and Jerry’s flavors. I now had to go to the health food store across town to get bulk honey, the little health food store that could was the only place in town where you could get bamboo shoots or pig’s feet from Mexico.

One thing that hadn't changed were the owners, who still lived in the apartment above the store. But now a short, elaborately coiffed and theatrically painted woman managed the store. She apparently liked me when I came in. I was barely interviewed before being hired.

She had worked as an actress in Chicago, and she taught me how to play the part of the retail clerk - how to separate yourself from the role in order to prevent insanity. It wasn’t easy though. A new kind of clientele had been keeping the store alive over the years, and it pained me more and more each day to be pleasant to the horrible, bored housewives who were either lonely and just wanted to talk, or hell-bent to make every service worker’s life miserable by being miserable themselves.

I discovered that I loved working with the produce - arranging it to look the most appealing to customers is an artform!

Old friends of my parents started popping in to the store, too, once they learned that I was working there. People that I remember hanging around our house nearly every day when I was young, but who my parents rarely see anymore. Our store was notorious for having a very liberal wine tasting policy, and many of these old friends would come in on the pretext of getting lunch, but would usually only pour themselves a generous glass from whatever bottle was open, and I would sit on the front porch with them on the hot, slow summer days, getting to know them now that I was an adult. I got to know that they were alot like me, mentally in their early twenties, transient and uncertain.

Summer rolled on, and I rode my bike around a lot, drank beer, got my heart broken and broke a heart, and then one day in September I woke up and it was cold. Bend has no spring or fall - when the wind blows down from the mountains it's time to hunker down and prepare yourself for six months of deep freeze. Summer had been too short for me. I'd planned to save money and move away in the fall, but I hadn't saved, and I didn’t even know where I wanted to go. I wasn't mentally or physically prepared for another winter in Bend. I had no car, which meant I was going to be riding my bike 10 miles a day through slush and ice and snow if I wanted to keep my job.

4.05.2011

another thing? this blog post goes to 11!

I nearly forgot! One more item to add to the list:


11. Sign up for summer classes now at Oregon College of Art and Craft. Or click the new link in the side bar for "news and upcoming" and see the description for my summer printmaking and letterpress class, and then sign up!

Normally, summer classes in the book arts department at OCAC are five day, all-day intensives for a solid week. This creates a wonderful, camp-like atmosphere, but often it leaves out those who can't, or would rather not, blow their summer vacation time in a classroom. This summer we're trying a schedule similar to the evening classes offered during the academic year - but slightly compressed. 10 classes in five weeks, two classes a week in the evenings. We're still offering week-long classes held by our artists in residence and other visiting artists, but now there's also an alternative.

news from the studio





Yesterday I hit the blog renovations with an unexpected enthusiasm. I had other plans - to print, in fact. But instead I pulled out the digital jack-hammer and hard hat and went to work. I think any further changes will require just a small trowel and perhaps a dust mop...until I feel the need for a change again. But it feels good, like a spring cleaning. I'd welcome any feedback about navigation and user-friendliness.

In the short time I was out in the print studio yesterday, I snapped some shots with the Hipstamatic app on my phone. A day in the life, en ambre.

I have so much planned for the next three months. It's been hard to find time to write, even though I have a million things to write about. So here are my top 10 things I want to tell you:

10. Newsletter! I've mentioned before that I'd like to start an e-newsletter for those interested in receiving one. It's finally coming together. Tiger Food Press will never send more than one email a month - so no spammy, crowded inboxes - and my intent is to keep you informed about upcoming events well in advance of when I might talk about them on my blog, as well as compile any other arts and crafts related happenings that might interest an arty-crafty person. On top of that, newsletter subscribers will receive special offers and coupons not available to non-subscribers. Sound like a good thing? I hope so!
If you have sent me an email in the past expressing interest in joining my mailing list, consider yourself subscribed. For those of you new to my blog, or newly interested in receiving a newsletter, fill out the handy new form in the sidebar! If you're unsure if you've signed up in the past, go ahead and sign up again. I'm looking forward to connecting with you!

9. Also new on the blog sidebar is a "subscribe by email" option to follow my regular blog posts via email. Isn't the modern world great?

8. I've been tweeting for a little while now, but now you can also catch me on Tumblr, where I micro-blog when I don't have time to create these long, meaningful, insightful, eloquently phrased, delicately sensible, full-length blog posts. (You know my tongue is planted firmly in my cheek, right? I just love to see myself ramble!)

7. I'm busy making a ton of work for the Rieke Art Fair Sunday May 1. I participated in this fair last year, and honestly, I was not well prepared. This year I'm cranking out new stationery, blank books, and prints, and I'm holding my breath!

6. OCAC Annual Spring Book Arts Sale! More details to come - but save the dates. Saturday May 14 and Sunday May 15. This year we're going for two days, and we're partnering with the more established metals and ceramics departments' sales.

5. Tiger Food Press is gearing up to expand its online retail and wholesale venues starting this spring and early summer. One - Big Cartel, is for sure, I'll be linking you up just as soon as the store is stocked. This venue will be for made-to-order social stationery, books and boxes. In other words, business card templates for semi-customizable and affordable letterpress options, semi-customizable wedding save-the-dates, albums and boxes with customizable cloth, retail packaging and labeling.

4. Also - a new, dedicated place to sell my artist books online! Details to emerge slowly and tantalizingly.

3. Phwew, almost there. The Bend Project, which I wrote about, albeit mysteriously, here. I'm researching and writing grants to fund this behemoth. But I think I may have a gallery set up to show the work in 2012! Yippee!

2. New Oregon Arts & Letters, the nonprofit arts organization, of which I am on the board of directors, is now publishing Plazm Magazine. Issue #30 will launch May 9, followed by the launch of Plazm.org, an online archive of Plazm Magazine, as well as being an archive of Pacific Northwest and national culture, design, typography, and arts editorial. We're working hard to enter content into the new platform to have Plam.org online and ready to browse.

1. And finally, The Hunt! For now I'll simply send you here to read about it. Believe me, I'll have much to tell you about this project soon. I've been having regular idea-generating sessions with a good friend of mine who also has an imminent show opening, and I'm really excited about where my piece is heading. Keep an eye out for announcements of this show which will open in early July at the Hoffman Gallery at OCAC.

4.04.2011

handmade paper - exposed


hand made gampi paper




I'd promised to update my paper making experience by showing my finished sheets when they were finally dry. I've had them in my greedy little possession for days and days now (when was it I took that class...time seems to have the cruise control set at 910 mph lately.)

Here they are. In order that they are shown they are:

1. Hand-beaten gampi. Literally beaten with a stick. A down-and-dirty method of producing a rough paper, but paper no less.

2. A cotton mixed with (it shames me not to remember what plant) a plant fiber from Helen Hiebert's yard. Also some cotton sheets, with gampi and abaca paper in the background.

3. A sheet of over beaten abaca. I love the way the paper ripples here. I'm sure there are ways of controlling and preventing that from happening, but I also think there must be cool ways of exploiting the rippling to make more sculptural forms with the sheet. Something I'd love to explore more.

4. And my personal experiment - recycled cotton sheets from previously printed Lettra. I used off-prints and extras from prior printing jobs from my studio and beat them in the Hollander beater. The resulting paper made a lofty white sheet with little speckles of color from the paper's previously printed life. Occasionally tiny letters pop out - love it! I made enough of this that I'll be able to put together gift packs for friends.

*****

As an aside - pardon my dust. I'm doing a little bloggy facelift around here as part of my spring makeover on all of my online sites. Things should settle down here soon, and then I'll move on to my website, which I plan to freshen up pretty dramatically!

I also haven't had much time to wander through all of the blogs I love to visit. Hopefully I can catch up with you all soon!